Técnicas inmersivas e inteligencia artificial en la creación audiovisual contemporánea

Manuel Mari-Altozano; Ana Sedeño-Valdellós

doi:10.36025/arj.v13i1.39150

Authors

Manuel Mari-Altozano Universidad de Málaga (UMA) https://orcid.org/0009-0004-7201-6041
Ana Sedeño-Valdellós Universidad de Málaga (UMA) https://orcid.org/0000-0003-3897-2457

DOI:

https://doi.org/10.36025/arj.v13i1.39150

Keywords:

artificial intelligence, audiovisual creation, immersion, artistic techniques, aesthetics

Abstract

Artificial Intelligence dazzles with its promise and revolutionizes all cultural creation, especially that most closely related to audiovisual, but also with many of the practices in the hybrid space between immersion and hybrid artistic projects. Its presence has disrupted the limits of what is possible in the immersion of the spectator, leading to a rapid advance in the field and the proliferation of projects in this line. Next, a tour is made throughout the current audiovisual creative panorama to analyze the current implication and impact of artificial intelligence in immersive techniques, as well as addressing ethical questions and reflections that arise as a result of its application, around authorship, the transformation of collaboration in creation.

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Author Biographies

Manuel Mari-Altozano, Universidad de Málaga (UMA)

Manuel Emilio Marí Altozano is a predoctoral FPU student in the Department of Audiovisual Communication and Advertising at the University of Malaga. He has a Master's degree in Audiovisual Creation and Performing Arts. In recent years, he has performed musical premieres both in Spain and in European countries such as Sweden and Italy. He is currently complementing his training with a Master's degree in Teaching at the UMA and a Degree in Orchestra Conducting at the CSM Málaga.

Ana Sedeño-Valdellós, Universidad de Málaga (UMA)

Ana María Sedeño-Valdellós is PhD in Audiovisual Communication and Professor in the Department of Audiovisual Communication and Advertising at the University of Malaga (Spain). Her research deals with music in relation to audiovisual media and audiovisual practices in the contemporary scene from an historical or educational perspective, with special emphasis on facts art as the VJ, the mapping or videodance. In connection with them she has published several books such as Language of the music video, Contemporary Music in Film, Analysis of contemporary cinema: aesthetic strategies, narrative and staging or History of video art in Spain. Some of her articles are published in several academics journals.

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Immersive Techniques and Artificial Intelligence in Contemporary Audiovisual Creation

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Author Biographies

Manuel Mari-Altozano, Universidad de Málaga (UMA)

Ana Sedeño-Valdellós, Universidad de Málaga (UMA)

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