EMPODERAMENTO E SUBVERSÃO
UMA ANÁLISE PÓS-COLONIAL DA LETRA '100% FEMINISTA (PART. KAROL CONKÁ)' DE MC CAROL À LUZ DA LEI N°11.340/2006
DOI:
https://doi.org/10.21680/2674-6131.2024v6n1ID36432Abstract
The study examines MC Carol's song "100% Feminista", highlighting it as an empowering manifesto that confronts violence against women, in addition to gender and racial stereotypes. Using the theories of intersectionality and post-colonialism, the article explores the connections between different forms of oppression and the strategies of resistance present in the song's lyrics. The methodology is based on bibliographical research, dialoguing with the Maria da Penha Law to contextualize the discussion. The results of the study point to blunt criticism of violence and the invisibility of marginalized women, emphasizing the importance of protection and female empowerment. The discussion highlights music as a powerful tool to combat gender inequalities, contributing to the decolonization of the discourse on violence against women. The conclusion of the article highlights that "100% Feminist" not only inspires critical reflection, but also promotes the construction of a more just and egalitarian society. By challenging stereotypes and raising awareness about the multiple forms of oppression faced by women, MC Carol's music emerges as a vital instrument in the fight for rights and recognition for marginalized women, encouraging significant social transformation.
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